Happy earth day

I’ve written before about the Environmental Justice Foundation, a small UK charity who campaign for victims of environmental abuse/climate change and fight pirate fishermen from robbing our oceans of marine life. They also campaign for sustainable/organic cotton, and are currently selling designer t-shirts to help fund their work around the world. A little refresher, for Earth Day 2010…

          ejf models #2

Through EJF’s efforts fighting child labour and unsustainable practices in the cotton fields, major retailers including Marks & Spencer, Tesco and Wal-Mart have all agreed to boycott cotton from Uzbekistan.

       ejf tshirts

To support their campaigns, EJF has released a host of organic cotton t-shirts featuring prints from UK & international designers such as Giles Deacon, Christian Lacroix, Luella, Allegra Hicks, Alice Temperley and many more. The £30 shirts - for men and women - can be found at the Carnaby St pop-up shop, or online, with all proceeds going directly to the Foundation.

      ejf models #2

There’s also some wicked prints by Let Them Eat Cake for the little ‘uns available at ASOS:

    ejf - let them eat cake #2   ejf - let them eat cake #2

Style, substance and sustainable cotton - not bad for thirty quid. Remember people, the power is yours!

Read more on the Environmental Justice Foundation or the Carnaby St popup shop.

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When is japanese food not japanese food?

When an international star like Jared Leto blogs about it.

      jared leto's great 'japanese' food in london

Not too long ago, 30 Seconds to Mars frontman Leto was in town and raved online about  ‘Great Japanese food in London’ – only to post the above picture of Yauatcha, one of London’s finest dim sum emporiums.

And I know, I know, he’s a big film rock star who may not grasp the delicate intricacies that distinguish Chinese from Japanese cuisines, but still… this cross-cultural confusion made me lose all faith in the man. (Even more so than his choice of film roles/women/wacky hairstyles of late).

In Leto’s honour, I present some recent examples of sushi art, just to prove that Japanese food can take different guises (none of which look like dim sum, though):

      sushi sweets

Exhibit A: Brownie ‘nori roll’ cupcakes and Rice Krispies/Bubbles with Swedish Fish. These amazing sweet sushi creations come from Saucy, a Canadian blogger/supermum who tends to refer to herself in the third person. (It’s fine though, as her talent for re-imagining sushi through sugary sweets is worth the occasional little idiosyncrasy).

  sushi art - windows  scary sushisushi platter

Exhibits B & C: Neither of which I would like looking back at me.

So am I just being pedantic, or does someone need to give Jared Leto a culinary education? If he wants to start at Yauatcha, I’ll quite happily volunteer.

<Sushi sweets from Saucy via Paper-, platter from ulteriorepicure>

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terracotta: london’s far eastern film festival

                      summer wars poster

London’s second annual Terracotta Far East Film Festival has unveiled their selection of fifteen hand-picked films from Hong Kong, China, Japan, South Korea, and Thailand, to screen at the Prince Charles Theatre from 6-9 May, 2010.

From Japan there’s a host of manga/novel adaptations, fantasy films and anime, including Japan Academy-award-winning anime, Summer Wars and K-20 Legend of the Mask (below right).  There’s also a sci-fi comedy (below left) called Fish Story (or for the Japanophiles, Fisshu sutōrī) whose tagline ‘Can a punk rock song save the world from a meteorite impact?’, is almost ridiculous enough to warrant a viewing. 

fish story   k20 legend of the mask

Highlight of the bill (particularly for those not into manga/fantasy/anime) is a double feature from French documentarist, Yves Montmayeur, who will also attend for a Q&A after the screenings on Saturday 8 May.

First up is In the Mood for Doyle, following award-winning cinematographer Christopher Doyle for a year from Asia to Hollywood. The native Australian Doyle, who’s fluent in Chinese and Mandarin and apparently now speaks English with Chinese inflections (much like American Ian Hideo Levy who now speaks English like a Japanese person) is highly acclaimed for his enchanting photography on many of Hong Kong auteur Wong Kar-wai’s films, including In the Mood for Love and 2046.

 2046  hero

Doyle also oversaw cinematography on the martial arts epic Hero, the understated The Quiet American and Rabbit-Proof Fence, about three Aboriginal children heading home across the Australian Outback.

Following In the Mood for Doyle is another Montmayeur documentary, Yakuza Eiga (Yakuza Eiga: Une histoire du cinéma yakuza), a history of yakuza (Japanese gangster) films.

            sonatine still

By interviewing actual yakuza, along with directors such as Takeshi ‘Beat’ Kitano (Boiling Point, Sonatine and many more) and Takashi Miike (Ichi the Killer and the delightfully non-yakuza-themed comedy-horror-musical, Happiness of the Katakuris), Montmayeur presents a look at yakuza and their representation - hideous shirts and all - in Japanese cinema.

       auction     antique bakery cover

My final pick of the programme (which just happens to screen before the above double feature, meaning I’m going to be in for a whole lotta popcorn) is the 2008 Korean film, Antique (Seoyangkoldong yangkwajajeom aentikeu). Directed by Min Gyu Dong and based on a Japanese shōjo manga (comic for little girls) called Antique Bakery, Antique is reportedly one of the most successful Korean films ever.

In this ‘tantalizing story of four sweet men’, a gorgeous young man uses his trust fund to open a cake shop so he can ogle girls, only to end up being ogled by the legendary (male) patissier he hires. High jinks ensue, thanks to the addition of a young apprentice and a bumbling-security guard-turned-waiter, plus a whole lot of food porn.

Check the Terracotta Film Festival site for dates, times and tickets, or start with the Antique trailer below which wonders, Cake and men. Taste them to know them?

<Summer Wars poster from The Brownie Post, K20 from BC Magazine, 2046 photo from cwangdom, Hero from Chris John Beckett, Sonatine still from Poodleface, Antique bakery cover from Wikipedia, preview from the Terracotta website>

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I agree with nick, but…

nick clegg as obama at the guardian

I don’t agree with copyright infringement.

The latest article/free downloadable poster from the Guardian - which asks if Lib Dem leader Nick Clegg is the British Obama - is almost enough to put me off reading the paper forever.

Yesterday began with London Mayor/Tory toff/Telegraph columnist Boris Johnson extolling his party leader, David Cameron, who had ‘aced every question’ during last week’s leaders’ debate, and carried on with an anecdote of how he once bet £1,000 that his party would win the next election. Mayor Boris even suggested someone had spiked the water supply, to explain so much new support for Clegg.

Now, my feelings toward Cameron/the Tories is largely based on the fact that Cameron chose Take That’s Gary Barlow to back his campaign/earn some stripes with the kids. (Obama had the Boss, even George W. Bush managed to get Britney Spears onside… but Gary Barlow? What could Cameron know about young people if he’s calling Take That for help?).

I didn’t agree with Boris, but his article was far more entertaining than Oliver Burkeman’s Guardian piece, which asks:

Is Lib Dem leader Nick Clegg an Obama-style hero for our times, a Churchillian leader or a popular rebel in the mould of Che Guevara? Perhaps he’s just another great British underdog

Poor Che, victim of so many crimes against popular culture, he doesn’t deserve the commercial fate that has been thrust upon him by souvenir shops, college kids and Guardian’s political team.

 che tshirt   che wearing che 

As for Clegg in the iconic* Hope picture, I sincerely hope the Guardian commissioned Shephard Fairey to re-imagine his earlier work, or better yet, consulted the Associated Press. They would’ve had to, right? Considering that Fairey spent most of last year in court fighting the AP over copyright infringement for his Hope picture of Obama, the Guardian must’ve checked their sources.

       shephard fairey obama / original

In the Fairey vs Associated Press case, AP believed the popular street artist used Mannie Garcia’s photo of Obama (above right) as the basis of the Hope picture, effectively replicating the image in a ‘paint by numbers’ without obtaining proper copyright permission. Fairey actually filed a pre-emptive lawsuit citing ‘fair use’ of the photo, which he transformed into a:

…stunning, abstracted and idealized visual image that creates powerful new meaning and conveys a radically different message.

(Bless him, he might actually be stretching the terms ‘radical’ in this sense).

    fairey lawsuit: obama with clooney

Fairey also claimed he used the Obama picture above, with George Clooney, as his reference. This was a pertinent point in the case, as it meant Fairey’s close-up Hope image involved more original input (that’s without even mentioning the fact that he added a badge to Obama’s lapel!).

The lawsuit took an odd turn in October when Fairey admitted that he had in fact lied about using the Clooney picture as a reference, and had even gone as far as creating new documents in his defence. The case continues, obviously without any limits on further ‘fair use’ of the AP/Garcia photo if national papers such as the Guardian are free to re-imagine it once again.

This latest (mis)use, in Burkeman’s article on the ‘Clegginess of Clegg’, is part of a selection of images - Clegg as Obama, Che, Churchill. Fortunately, Burkeman manages to bring the Cleggomania back to reality, before it gets too out of hand:

Nick Clegg looks kind of normal, he wears normal-looking clothes, he has some good ideas, along with a few that are a bit rubbish; he might do OK, but if we’re honest, probably not brilliantly, and he has provoked a low-key outburst of restrained hysteria.

So maybe it was all a bit tongue-in-cheek after all. Still, enough with recycling these old images of politicos - I think we’re ready for a new icon.

Read the Guardian article or Mayor Boris in the Telegraph.

<Nick Clegg from the Guardian and Hope/original AP pictures from PD online, who’ve been following the lawsuit for months and have plenty of juicy details>.

*I know, mum, ‘icon’ should be reserved for religious reasons. It’s late, ok?

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The Guardian is running a small feature on artists who work with food, including my favourite (above) by London-based Carl Warner.  Warner first came to my attention through a Telegraph gallery back in 2008, and it seems little has changed since then.
Click the meatscape for more – there&#8217;s a brilliantly ominous ocean scene using red cabbage with a boat made of gourd, as well as picturesque smoked salmon waves lapping at a bread &amp; potato shore.

The Guardian is running a small feature on artists who work with food, including my favourite (above) by London-based Carl Warner.  Warner first came to my attention through a Telegraph gallery back in 2008, and it seems little has changed since then.

Click the meatscape for more – there’s a brilliantly ominous ocean scene using red cabbage with a boat made of gourd, as well as picturesque smoked salmon waves lapping at a bread & potato shore.

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Japanese fashion showcase at the barbican

issey miyake pleats please

But not for six months.

The wonderful Barbican gallery is now preparing Future Beauty: Japanese Fashion, 1981 - 2011 with works by Issey Miyake (above), Rei Kawakubo, Yohji Yamamoto and many more, to open in October 2010.

Future Beauty will be the first European exhibition of Japanese avant-garde style, and should effectively dispel any myths that Japanese fashion is limited to Lolita goths, school-girl chic, hip-hop wannabes or Japlish prints with over-the-top punk sensibilities.

  japanese schoolgirl & rapper @ flickr

(Rock from Punks? Ok, maybe those two on the left are bad examples as they manage to bridge the gap from overly adorable to too-cool-for-freakin-school).

Back to the Barbican, though… Japanese avant-garde fashion gained notoriety in the 1980s with designers like Rei Kawakubo for Comme des Garcons (CdG) deconstructing how women actually wear clothes.

Kawakubo had a Henry Ford-like feeling toward colour in her early collections,  with a unique ‘three shades of black’ palette..  At the same time, her designs used strange new shapes, such as garments with three sleeves. (So where one woman might put her arm, another might use for her head, thus wearing the piece in a totally different way).

rei kawakubo atomic

Not everyone was impressed with all the dull colours, holes and frayed edges, and CdG’s early collection was dubbed ‘post atomic’ (above) or even ‘Hiroshima chic’.*

jun takahashi window display  jun takahashi window display

Along with Kawakubo and her protégé, Jun Takahashi (above), Japanese avant-garde designers such as Issey Miyake and Yohji Yamamoto continually challenge our notions of beauty and femininity, while presenting fashion as art (or is it the other way around?).

ganryu commes des garcon hats 

Future Beauty will also feature works from CDG luminaries Tao Kurihara and Fumito Ganryu (creator of the amazing trucker caps above), as well as Matohu (who fuse a traditional aesthetic with modern lines), Akira Naka and Mintdesigns, below.



The exhibition will be curated by Japanese fashion historian/director of the Kyoto Costume Institute, Akiko Fukai, who’s written on all things fashion - from early kimonos to  the significance of Sonia Rykiel. She’s planning a comprehensive twenty-year retrospective on avant-garde Japanese fashion, right through to 2011.

And, just when things couldn’t get any cooler, award-winning architect Sou Fujimoto (who’s also an Issey Miyake fan) has been asked to design the exhibition space. Design boom has an interesting interview with Fujimoto where he described his desire to work on a gallery space, along with his love of ‘formless forms’ :

I like to create an in-between-space, therefore my
works are very basic. I’ve designed architecture that is
very simple but looks complex due to its geometric form.

  sou fujimoto house   sou fujimoto house #2

This whole thing sounds awesome, here’s hoping I can remember to attend six months’ from now.

Future Beauty: Japanese Fashion 1981 - 2011 
15 October 2010 – 6 February 2011 
Barbican Art Gallery, London UK

Photo credits: Pleats please/Issey Miyake from Syrup New York, schoolgirl from Colodio, Jun Takahashi from Ribbon Controller, Ganryu CDG trucker caps from Love the Cool, Sou Fujimoto from here on Flickr and any more, please let me know.

*Full marks for creative linguistic criticism!

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