E from eels learns quantum mechanics

  

Parallel Worlds, Parallel Lives is a brilliant 2007 film that follows Mark Everett (aka E from Eels) as he traces his late father, Hugh Everett III, from Princeton PhD to the Pentagon, until his death as a businessman at 51.

Hugh Everett III’s 1957 paper on parallel universes was barely acknowledged until decades later, with many physicists now proclaiming themselves as ‘Everettian’ (or not). His work on quantum mechanics is considered as groundbreaking as Einstein’s theory of relativity and yet he died without knowing fame nor, as E explains, his family:

He was in his own parallel universe. He was a physical presence, like the furniture, sitting there jotting down crazy notations at the dining room table night after night. I think he was deeply disappointed that he knew he was a genius but the rest of the world didn’t know it.

By meeting his father’s colleagues, friends and students, the self-proclaimed kid who flunked out of high-school algebra comes to understand the basics of his father’s theory of many worlds – and thanks to cute illustrations and simplified explanations, the audience can too. (For a basic idea of parallel universes, think Donnie Darko or Gwyneth Paltrow’s dual existence in Sliding Doors).

At one charming point, E meets a lanky Princeton physicist who had devoted his academic life to proving Everett’s theory after finding an ancient copy in a used bookstore while studying at Berkeley. He is visibly overwhelmed to meet the son of the man who he had respected for so long and gushes like a groupie - which may lead E to his conclusion that his father was like a ‘rock star of the physics world’.

While exploring his dad’s belongings – which had been boxed and long-forgotten since his death – E finds a cache of Dictaphone recordings, which give him further insight into the man he barely knew. Listening to the tapes in an empty hotel room, he even finds a little bit of himself.

With an Eels soundtrack and beautiful production, Parallel Lives, Parrallel Worlds is a fascinating look at physics, fatherhood and of course, E. And the best part? It’s available free in the UK on BBC iPlayer until next week.

Or check the preview below:

You can also read more about the theory and previously unseen works from the Everett archives at the Parallel Lives, Parallel Worlds PBS site.

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Navigating the best movies of all time with designer David Honnorat. Click on the picture for more detail, and maybe someone can tell me how Tim Burton’s Big Fish made the lilac romance line? Then again, with Crash and The Curious Case of Benjamin Button making the cut, I’m guessing my map would read a little different.
via The Word.

Navigating the best movies of all time with designer David Honnorat. Click on the picture for more detail, and maybe someone can tell me how Tim Burton’s Big Fish made the lilac romance line? Then again, with Crash and The Curious Case of Benjamin Button making the cut, I’m guessing my map would read a little different.

via The Word.

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Exploring the cove

  
I’ve just finished watching ‘The Cove’ and suggest you do too. Unless you have seen the controversial Academy Award-winning documentary already, in which case you’ll probably agree that herding thousands of dolphins into a secluded cove in Taiji, Japan, before harpooning them to death is both brutal and unnecessary.

Taiji, in Wakayama, is often regarded as the birthplace of Japanese whaling, with evidence revealing coastal hunts as far back as the 1600s. The picturesque small town boasts various monument to cetaceans, including a rather grand whale museum, as well as restaurants serving both whale and dolphin meat. Every year, Taiji fishermen herd more than 20,000 dolphins into a small cove where representatives from all over the country  wait to select a small amount for the world’s marine parks and aquariums. The remaining dolphins are moved to the now-infamous cove for slaughter. Due to increasing international scrutiny, the shallows of the cove are now largely covered by bright tarpaulins , which merely highlight the sea of blood beyond.

Despite testing dangerously high in mercury levels (hello jeremy piven!), Taiji dolphin meat is distributed to shops around Japan (above right, selling for a mere 200 yen per cut) and quite often falsely labelled as other seafood or whale meat to increase sales. In their defence, the Taiji fishermen are quick to assert that their catch is well within IWC limits, which may have led the activists to focus on the issue of mercury in the meat, rather than the barbaric manner in which the dolphins are killed.

With a trailer that’s more spy thriller than animal rights crusade and ongoing distribution problems in Japan, it’s quite easy to dismiss the film as some sort of anti-Japan propaganda flick. There’s been all sorts of responses which question the accuracy of the film’s claims, but no-one can doubt the vivid red sea, nor the footage of dolphins flailing in the shallows while blood trails behind them.

One Japanese new report shows a rather unbiased look at the cause and the foreign protesters, after which a commentator declared:

There is a clash between culture and emotion.

I fully understand the desire to maintain cultural traditions, but after viewing the film, the activists should probably play on Japanese emotions and seek wider support from within Japan itself. More so than just one man standing in the crowded Shibuya crossing with a tv screen showing the atrocities, they need to make Japanese youth aware of what happens in Taiji and ideally, inspire them to take action. Casting aside the ongoing issue of ‘scientific’ whaling, Japan is, after all, the same nation that bestowed residency on Tama-chan, a bearded Arctic seal that turned up in Tokyo’s Tama River in 2003. By appealing to the country’s love of cute creatures, there may be  some way to maintain cultural traditions while finding a more humane solution to the culls. …Hell, anything would be more effective than this two-minute celebrity-filled PSA which, while great in theory, pretty much just preaches to the choir:

Although when Tony Soprano tells you his friend doesn’t belong in captivity, you can’t help but want to do as he tells you…

If you don’t have time to watch the film, try photojournalist Boyd Harnell’s chilling article from 2007, Eyewitness to Slaughter in Japan’s Killing Coves, which reads much like the film unfolds, or check the Guardian’s photo gallery.

Photos: Dolphin meat from Aisha_n, Meiji-era whalers from Julian Cochrane. Robert Gilhooly has a wealth of Taiji photos here.

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Mogwai’s burning

Mogwai: Burning, a new concert film shot in New York by Vincent Moon and Nathanael Le Scouarnec premiered at London’s Scala tonight, accompanied by Mogwai & Fuck Buttons DJs and a live set from Glasgow’s Remember Remember.

All black & white and atmospheric all over, Burning is more concert than film, although perhaps that was just the venue. The crowd were respectful throughout, all seated on the dancefloor to watch the film on two giant screens - with plenty of slow-motion nodding on the final few tracks. (Maybe that’s moshing for Mogwai movie fans?)

Parisian filmmaker Moon is the guy behind the French music blog Blogotheque (which looks really cool, if only I could read French) and REM’s Supernaturalsupersious series of short clips, which you can watch for free here.

His collaborator, Le Scouarnec, is a director/editor who also works for Blogotheque and filmed the above track, ‘Fear Satan’ in Reims. You can see more of his work at Vimeo.

Burning is due for wider release in August 2010. In the meantime, check the trailer at the top, watch the footage from France and enjoy these two pictures of Mogwai, my ever-cold cat who’s no doubt listening to post-rock in the sky. 

  



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SATC 2… my eyes, my eyes!

There’s many great reviews of the misguided Sex and the City sequel out there (incl. here), so I’ll keep mine brief…

Carrie:

  • Is but a shell of the neurotic and slightly kooky gal she once was. She’s now obsessed with redecorating her fancy yet soulless apartment, even chastising her husband (who must’ve paid for the whole place) when he puts his feet up on the couch. But worst of all,
  • She’s kind of a bitch.

Charlotte:

  • Makes cupcakes in vintage Valentino.
  • Struggles with said cupcakes and her two young children until – phew! – the hired help arrives, all bra-less and badly accented.

Miranda:

  • Generally looks pretty smokin’ (despite the bowl-cut above).
  • Although… Cynthia Nixon seems to have forgotten how to act. Unless of course, Miranda’s forced whoops of glee in Abu Dhabi suggest more to her character than we ever get to see.

Samantha:

  • Has lost all sense of class.
  • Endures a much-publicised hot flush in a crowded souk that ends with yelling and the throwing of condoms. Even more insulting, though, is witnessing her sat at her desk, knickers around her calves as she applies some kind of menopausal potion to her pussy. (Eww!)

The rest:

Oh yes, and there’s cringe-inducing ‘I Am Woman’ karaoke singalong to boot.

Speaking of boots, I still can’t believe I missed the Japan vs England friendly for this*.

80s photo from OOooOOh I want all of those.

*Ok it wasn’t that bad – SATC2 fans bring great snacks. Cheers, ladies.

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Patrick bateman does david byrne

Miles Fisher - This Must Be The Place (Cover) from Miles Fisher on Vimeo.

Do you like Miles Fisher? His latest EP marks a new peak of professionalism. This is his take on David Byrne’s ‘This Must Be the Place’.

In case you missed it in 2009, Popmatters has recently rediscovered Fisher’s version of the Talking Heads hit (below), which in a brilliant tribute to American Psycho, examines how ‘even monsters love pop music. 

According to a little research, Fisher is a former Texan with a penchant for a capella (he took his Harvard troupe, the Krokodiloes on a tour of 24 countries). He does a mad Tom Cruise impression and played Kinsey’s preppy Princeton drug-pushing buddy Jeffrey Graves in Mad Men, below. (You may recall uptight Peggy’s defiant introduction: ‘I’m Peggy Olson, and I want to smoke some marijuana’).

 

The fact that he bears an uncanny resemblance to both Tom Cruise and Christian Bale, combined with his mum sitting on the board of the National Film Institute, makes me think he’s pretty much cut out for a life on screen. However, his Ivy League education and the almost excruciating level of detail he’s gone to make the Byrne cover work shows there must be something more to him than just looking like an early-80s Cruise/Bale hybrid.

But then… maybe he’s just riding on the fact that two formerly respected actors are now almost universally known for being either difficult or virtually insane. Plus he’s probably demanding a much, much lower rate for the charming yet slightly sleazy prepster roles.

Hell, it’s a great, great song. And a personal favourite.  I say more power to him. You can check him out at Milesfisher.com, read a mega interview with American Psycho author Bret Easton Ellis over at Vice (just don’t blame me if the photos of his smug face make you want to retch/never read a BEE novel again) or enjoy the original David Byrne track below:

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Fish story’s going to save the world one day

Well, maybe not. But it is a catchy song… and I do like a Karate Kid homage as much as the next person. It’s just a little long for a sci-fi/comedy/drama about a punk song saving the world. Although since I missed it at the Terracotta Film Festival earlier in the year, I’m glad it’s getting a limited release (try London’s ICA).  Read more on Fish Story over at Little White Lies.

Japanese Casey Ryback shot from Third Window Films.

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There ain’t no iguana

Here’s Val Kilmer being upstaged by drug-addled police officer Nic Cage and a pair of reptiles in Bad Lieutenant: Port of Call – New Orleans. Director Werner Herzog (Grizzly Man, La Boheme) apparently shot the hilariously surreal scene himself, taking a bite from one of the lizards in the process.

The scene, and indeed the entire film, is brilliant. After schlepping about in so many poor films of late, Nic Cage plays the damaged police protagonist for all he’s got, while dark clouds over New Orleans suggest an ongoing trouble (with both the character and his surrounds).

William M Finkelstein’s script includes enough drug-induced absurdity to keep the murder investigation interesting, and by the second half I’d all but forgotten about the original crime – which is not uncommon in film noir, where the characters and city are often more interesting than the actual narrative.

With Eva Mendes as the drug-addicted femme fatale, the desolate streets of post-Katrina New Orleans, an ominous (if not slightly overbearing) score and more than just two reptiles, Herzog has made a thoroughly entertaining neo-noir.

  

As an aside, Abel Ferrara, who directed the original Bad Lieutenant starring Harvey Keitel back in 1991, told The Guardian that Herzog, Cage & co should ‘all die in hell’ for daring to re-make his classic film.

Ferrara also directed The Funeral with Vincent Gallo, for which reason I think he should die in hell. Not even Christopher Walken and Benicio del Toro could save that film. (But maybe don’t listen to me, the critics loved it).

Anyhow, I also think there should be more iguanas on film. Especially to the tune of Nawlins native Johnny Adams.

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terracotta: london’s far eastern film festival

                      summer wars poster

London’s second annual Terracotta Far East Film Festival has unveiled their selection of fifteen hand-picked films from Hong Kong, China, Japan, South Korea, and Thailand, to screen at the Prince Charles Theatre from 6-9 May, 2010.

From Japan there’s a host of manga/novel adaptations, fantasy films and anime, including Japan Academy-award-winning anime, Summer Wars and K-20 Legend of the Mask (below right).  There’s also a sci-fi comedy (below left) called Fish Story (or for the Japanophiles, Fisshu sutōrī) whose tagline ‘Can a punk rock song save the world from a meteorite impact?’, is almost ridiculous enough to warrant a viewing. 

fish story   k20 legend of the mask

Highlight of the bill (particularly for those not into manga/fantasy/anime) is a double feature from French documentarist, Yves Montmayeur, who will also attend for a Q&A after the screenings on Saturday 8 May.

First up is In the Mood for Doyle, following award-winning cinematographer Christopher Doyle for a year from Asia to Hollywood. The native Australian Doyle, who’s fluent in Chinese and Mandarin and apparently now speaks English with Chinese inflections (much like American Ian Hideo Levy who now speaks English like a Japanese person) is highly acclaimed for his enchanting photography on many of Hong Kong auteur Wong Kar-wai’s films, including In the Mood for Love and 2046.

 2046  hero

Doyle also oversaw cinematography on the martial arts epic Hero, the understated The Quiet American  and Rabbit-Proof Fence, about three Aboriginal children heading home across the Australian Outback.

Following In the Mood for Doyle is another Montmayeur documentary, Yakuza Eiga (Yakuza Eiga: Une histoire du cinéma yakuza), a history of yakuza (Japanese gangster) films.

            sonatine still

By interviewing actual yakuza, along with directors such as Takeshi ‘Beat’ Kitano (Boiling Point, Sonatine and many more) and Takashi Miike (Ichi the Killer and the delightfully non-yakuza-themed comedy-horror-musical, Happiness of the Katakuris), Montmayeur presents a look at yakuza and their representation - hideous shirts and all - in Japanese cinema.

       auction     antique bakery cover

My final pick of the programme (which just happens to screen before the above double feature, meaning I’m going to be in for a whole lotta popcorn) is the 2008 Korean film, Antique (Seoyangkoldong yangkwajajeom aentikeu).  Directed by Min Gyu Dong and based on a Japanese shōjo manga (comic for little girls) called Antique Bakery, Antique is reportedly one of the most successful Korean films ever.

In this ‘tantalizing story of four sweet men’, a gorgeous young man uses his trust fund to open a cake shop so he can ogle girls, only to end up being ogled by the legendary (male) patissier he hires. High jinks ensue, thanks to the addition of a young apprentice and a bumbling-security guard-turned-waiter, plus a whole lot of food porn.

Check the Terracotta Film Festival site for dates, times and tickets, or start with the Antique trailer below which wonders, Cake and men. Taste them to know them?

<Summer Wars poster from The Brownie Post, K20 from BC Magazine, 2046 photo from cwangdom, Hero from Chris John Beckett, Sonatine still from Poodleface, Antique bakery cover from Wikipedia, preview from the Terracotta website>

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kermit x christian 

Thank you, Godsauce, for this nonsensical gem.

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